This post was last modified: 2020-11-10, 19:10 by
Gunther.
Hi Richard,
Quote:I have the option to select 709 output but never any mention of 2020 as per some of your advice to others - does it set as 2020 by default just? I've heard you mention advanced settings but I dont see any ways of accessing these.
by default the LRTExport Plugin will export in Rec.2020 just to preserve the large color space as long as possible.
I'd recommend to leave it like this and NOT check "Export as Rec.709". Then LRTimelapse will do the conversion to Rec.709 if you choose that in the Render dialog.
In the video renderer you can choose Rec.709 or Rec.2020 depending on the cababilities of your video editing program. Currently Davinci Resolve seems to be one of the few to correctly work with Rec.2020. Here is how to set up Resolve:
https://forum.lrtimelapse.com/Thread-dav...s-with-lrt
If you are using any video editor that doesn't to proper color management, I'd suggest to stay with Rec.709.
- If you can, enable Color Management in your video editor.
- Make sure that the video editor recognizes the color rendition of the clips correctly, often you might need to set it manually.
- Set the input color space to Rec.709 Gamma 2.4 for all LRTimelapse clips.
- Set the Input levels to "Full" or "Limited" according to how you exported from LRT.
Again, in an ideal world, the video editor would detect the formats correctly, but if you experience differences in the colors or contrast, this might not be the case.
- Too little contrast can happen if footage exported with Limited Range would be identified as Full Range.
- Too high contrast can could mean the opposite.
- Also false contrast could be connected to a wrong Gamma setting.
- Washed out colors happen, if Rec.2020 footage would falsely be identified as Rec.709.
- Oversaturated colors could occur, if Rec.709 footage would falsely be identified as Rec.2020.
I'm planning to do another video about the color management and how to set it up correctly in a modern video editor like Davinci Resolve. Unfortunately I can't say too much about Final Cut, because I use my small mac only to build LRTimelapse and otherwise don't work on it.
I'm sorry about the complexity of this topic, but that's not related to LRTimelapse. It's just that color management in the video world is a quite complicated matter and every involved piece of software has it's own deficiencies especially when it comes to color management. For example Quicktime, which seems to do color management in the latest versions is not even able to play back MP4 files with 422 subsampling. You need to render MP4 in 420 subsampling, or choose ProRes for better subsampling instead.