Posts: 12
Threads: 5
Joined: Oct 2015
Hi,
I shot a holy grail sequence of the full moon rising over the Long Island Sound this past Friday night. While the sequence was recorded fine and the "saw-toothing" in the luminosity was near perfect, I'm having a great deal of trouble matching colors between the saw-tooth transitions in LR. LRT set up about 15 keyframes - which actually makes the problem of matching in this sequence even harder.
I reduced the # of keyframes from 15 to 2 - to have an easier transition - to let LRT do the tweening properly - that helped - but on the spikes, the frame before the spike and the frame after the spike are different hues of blue - making the transition noticeable. Is there some secret sauce in getting these colors to match pre/post the ramping spikes?
Should I be using the suggested 15 keyframes or is the 2 a better approach?
I'm looking for suggestions/experience here.
Thanks in advance for your help/suggestions.
Steve
I shot a holy grail sequence of the full moon rising over the Long Island Sound this past Friday night. While the sequence was recorded fine and the "saw-toothing" in the luminosity was near perfect, I'm having a great deal of trouble matching colors between the saw-tooth transitions in LR. LRT set up about 15 keyframes - which actually makes the problem of matching in this sequence even harder.
I reduced the # of keyframes from 15 to 2 - to have an easier transition - to let LRT do the tweening properly - that helped - but on the spikes, the frame before the spike and the frame after the spike are different hues of blue - making the transition noticeable. Is there some secret sauce in getting these colors to match pre/post the ramping spikes?
Should I be using the suggested 15 keyframes or is the 2 a better approach?
I'm looking for suggestions/experience here.
Thanks in advance for your help/suggestions.
Steve