Posts: 10
Threads: 6
Joined: Feb 2018
Hi there,
I have a long-term timelapse sequence shot in DNG. It's roughly a year long so there are a lot of photos to process, and it's capturing an interior space. The interior lights are tungsten, and there's is a lot of differing colour with the daylight from the windows as you could imagine, There is a lot of white-balance shift within each day (sunrise, sunset, cloudy days, etc).
Does anyone have any recommendations on best practices to handle these white balance shifts within each day? Is it possible to set a keyframe at the start and end of my sequence, and have the white-balance be set to auto, will this trigger the "transition" keyframes to all be set to auto as well? I'm thinking this would help to fix it a bit, but I'm not sure how to achieve this with LRT, and it takes a very long time to try new things out with such a long sequence. and I obviously don't want to be keyframing each day to fix manually as it would be a painstakingly long process.
I have a long-term timelapse sequence shot in DNG. It's roughly a year long so there are a lot of photos to process, and it's capturing an interior space. The interior lights are tungsten, and there's is a lot of differing colour with the daylight from the windows as you could imagine, There is a lot of white-balance shift within each day (sunrise, sunset, cloudy days, etc).
Does anyone have any recommendations on best practices to handle these white balance shifts within each day? Is it possible to set a keyframe at the start and end of my sequence, and have the white-balance be set to auto, will this trigger the "transition" keyframes to all be set to auto as well? I'm thinking this would help to fix it a bit, but I'm not sure how to achieve this with LRT, and it takes a very long time to try new things out with such a long sequence. and I obviously don't want to be keyframing each day to fix manually as it would be a painstakingly long process.